The hobartchinaman goes Nippon (4-8)

Nippon 5

Buru and Breakfast
Swirling away from the wake of the speeding truck soft snow billows in drifts across the intersection. Buru sniffs the air, cold in our nostrils, the chill has squeezed the life from the grass and trees. Yoshiro and I walk the route we walked before and tomorrow he and Buru will walk again. By then I will be somewhere else, where I am not sure, but Buru and I know that at seven he will be facing the cold and padding through the snow again.

Breakfast teaches me how to eat and egg. Lightly fried the white not all set, chopsticks separate white from the yolk piece by tasty morsel. When the yolk is exposed scoop it onto the chopsticks and eat whole, I’d never noticed that a yolk, free range or caged is a simple mouthful.

For liquids, the slurp. Taught to not do so, years of training are sacrificed culturally and I get into the swing. I will only feel comfortable when I don’t feel conscious about doing it. The slurp slurp echoes in my cup, I draw more air over the top of the tea, rewarded by the slurp swish which allows the over inhalation of air which signifies the gratitude. Modesty prevents me raising my eyes to check if I am doing this correctly and embarrassment prevents me from checking to see how it’s really done.

Nippon 6
Nippon 6 – I’m so glad to be here.

Everything went so well. The connection in the city to shin Kobe, the shikasen to Nagoya. Wow, arrived by noon having left at 10am. Walked the streets all seemingly empty until later I discover folk are mostly under ground out of the cold in subways. Car parking in vertical towers, old buildings juxtaposed with new and very modern architecture. Making the bus is an intrigue, no terminal 7 after 1,2,3,4,5,6 just a street corner on the end. Drats, the information lady had been most helpful, so what had I misheard. 10 minutes later I find the missing terminal hidden away on the far side of the apron.
Ishawakbi is where I am going, the driver seems to know, I try to help him understand to put me off there. The 20 minutes I have been told the journey might take passes rapidly. I can’t sit properly cos I’m trying to get off all the time. Then I see the next stop showing on an indicator in kanji then in English, thank god, for I have the luxury of getting ready before the stop and brace myself for the cold, it’s 2.
She said to ring, but without a mobile a public phone is all I can hope for. Trying the chemist opposite I am given a good approximation of where the address I offer is. I try to memorize the number of streets west and cross streets, heading off boldly. There are no street signs and those there are written in kanji, no house numbers, lots of Lexuses, and high range vehicles in the street I determine to be the one the chemist showed me.
I round the block heading back to the main road. There on the corner is an ad in English for Changmai’s English school. I wonder. A glassed in shed cum garage at the front is full of toys and bric a brac. To the left of the garage is a traditional gate, with a low door to it’s right side. Though the garage is carless I reckon it’s worth a try, how lucky is this to find the lady’s name on a sign.
Knock knock on the door, tho a very traditional house the door is western. Much toing and froing indoors gives way to a twenty something guy opening the door, his gran standing well back. I present my sheet, then realize whilst I can read the Japanese romanised words, he can’t make head or tail of it. Much as we try neither of us can help each other understand, though when I show him changmai on the outside worn he recognizes it in the paper. Pointing at what I think is the school building abutting the road, he is adamant that it’s not them. I gesture at the surrounding houses supposing the teacher doesn’t live here but nearby, to no avail.
We part, I realize that I am close but not close enough.
At the phone box, I call with then without what I think is the country prefix code then it strikes me it’s probably a mobile. Over the next two hours I sit in the phone box out of the cold, watching lamhorgines, BMWs, and porsches tear up the road, I am in the right part of town. Plan b needed here as my boots chill from the air sweeping through the bottom of the glass phone box I make a last call to tell my lost host that I am heading for the bus stop, back to the station then the train to down town.
I take the subway, under the avenue I walked earlier in the afternoon. There had seemed to be few people on the street, of the few seen I most noticed the homeless, shoeless, unshaven, unkempt, uneverything man sitting in front of a closed gaudily adorned lottery booth with posters of every hue, at subway exit 1.The subway exit I rise from this time is one, there is no man, there’s no sun , there’s street lighting, I wonder where he has found to sleep.
I walk along the near deserted road, it’s wide four lanes each way with an expressway overhead carrying unseen unheard traffic quickly to somewhere. I peer into each doorway hoping for the english sign there’s supposed to be out front. There is and I knock.
” Do you have room for one please” I ask.
The host beckons me in through a narrow bar/ restaurant, just closed.
At the door to the back area shoes off, then carried and into a narrow passageway, my pack banging the walls.
He moves two steps ahead then beckons me past cupboard doors to the left. He motions that I should open the door behind me I just passed. He has already opened the one ahead off me.
Half expecting to be shoved into some Japanese cupboard dungeon in which the futon torture is administered I stumble headlong and shoeless into a deep passageway the width of a broom closet. To the right are closed cupboard like doors, and to the left I can see through two open sliding doors the flurry of futon and blankets being stacked on the tatami. It’s a double room, twelve mats size, a big tv, and a low metallic gas/electric heater. Much bowing and welcome, before a withdrawal, and I’m alone, shoes in hand and so glad to be here.

Nippon 7

Nagoya diner, night diner, wet wet wet.

A little restaurant down a street all closed to traffic, theres a few bars open, gingerly I open the door. The food samples in the window look like battered prawns and beef ¥720, I point to the ¥720 and the lady points to 210, 160, 130 I guess it’s the serving size, I go for 210 hope it’s large and wonder what I am going to get that’s large. Gotta eat somehow, I am famished. It’s freezing outside and warm in here. A cup of green tea settles me, and then more folk arrive. Though it seems deserted on the street peering through some of the doorways there are carousing couples and groups eating laughing, out for a sunday dinner.
A prawn, two battered fried golden egg like objects, all sit atop shredded cabbage but the prawn is mounted on several macaroni pieces with a side of mayo, not bad for the price, the 210 being for a large plate of rice. It tastes delicious, I scoff it fast, can’t understand the samurai film on the tv which has everyone else entranced. Their dishes cool as the watch, while I eat mine to the last grain before they take even several mouthfuls. It’s gone twenty minutes, time to write about what I have seen, and try a bar down the road for a sappora beer or something. Feels like I have passed a barrier and taken the plunge, intending not to eat anything western while I am here, let’s see how this goes!
The streets here are bare, the convenience stores are open neon blazing onto the darkened streets. I wander through the back streets not scared a little wary, find a post office, could be useful, but not much else. The night impression is important for orientation. Freed of extraneous influences sighs that can’t be read all that imbeds is the shape an size, and openings between buildings where the sky, though inky dark is visible.
On the main drag there are some restaurants, which all seem to be open to the wee small hours. Why wee small hours? Is that a bladder reference from a night’s drinking? One tho has a wonderful wee sign wee fi available here, and the place is open 24 hours and serves pancakes! That’s breakfast then decided as I trudge back.
I tip out the tatami, doing bows to the doors as I slide them open then shut to get in practice in case a host comes.
The shower room is communal, and when I arrived I was told I could use it anytime, anytime. I read somewhere where showering to be clean then int the hot tub, and there’s the hot tub with silver facing down on a blue backing flaring on the water, the bath deep enough to drown three people, it’s a monster, and the room steams.
I shower and soap and shower again incase I am not clean enough then for good measure soap and shower again. The bath is so so relaxing and I’d boil a lobster in it if I had one, but failing a lobster I broil myself till my finger tips go all baby wrinkled after the old man wrinkles puff up then ease into softness.
No one communes in the bath room area, a slight disappointment if the truth be known, so I sleep like a top without the need for that sappora beer.

Nippon 8

Nagoya, such a beautiful whoosh.

Its a little later than I intended but I get the pancakes, quite fluffy, but ne’er as good as made by an american woman. Internet is free and so is wifi, did I think that was wee fi last night? Damn!
I boot up iPad but have to wait for connection, there is no password, it’s straight on, the emails fly in, shame they are from someone else’s account and i am sending from her account too, seems I’ve been spammed. Shit!
So I send a few apologies, a few attempts at sending out jottings to folk, but as one comments such an impersonal way it do. Such an impersonal way to remark about it too, “But as one comments”. So I reckon outpourings of the theHobartChinaman should launch again after the little guy has had a yuletide rest.
Pressing the send button, the iPad warms up sending one, sending two, sending three, then whoosh …whoosh …whoosh the audio hisses as they are launched, what a wondrous sound.

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Thehobartchinaman goes Nippon (1-4)

Thehobartchinaman goes Nippon (1-8)

Nippon 1

A travel log? Drats would I read that? Doubt I would, so why write it? Write with a twist?

Approached in a duty free, the helpful pitch is fast furious and Japanese, a language I do’t speak.

Brown, all brown the surrounds of the International Guesthouse Narita. So far on the train from the airport that I was sure I had missed the station, and then the ten minute walk feeling sort of safe in the nearly empty streets. Looming large all that was familiar in the supermarket was the asparagus and tomatoes. At $7 a kilo they were warming to look at. Everything is packaged, everything but my eye couldn’t be fooled by the specials. There they were with the over labelling indicating that they were reduced, and I managed to get sushi and some fried sardines, chopsticks at the checkout. Walking on the brochures directions were accurate, though I admit to spending an eternity trying to get the orientation of the map correct to work out that most important of directions the East station exit. Seeing as the west outlet pointed towards a JR Narita station then I clearly wasn’t there.
Managed to over walk the guest house then swore that it had disappeared until I found it a residence back from the corner on which it was shown, up three flights of stairs a welcome and inexpensive place to sleep, clearly not busy, I am the only guest. The proprietor and I exchange checking conversation and that’s it. Time to get reflective about arriving and wondering just how fast one can be transported from familiar to exotic. Attempts to write on the plane thwarted by sleep. The plane full of people who all look like kids.
I have no idea what is being said on the tv, none at all. An urgent man in a brown suit talks to someone off to his right while an office scene of less urgent men in an office do, well they do office things. They too are in a brown, wooden surround.
It’s cold here, wearing all that cold weather gear made sense though I wondered on the trip.
Scenes of deep deep snow somewhere here, and one of my hosts has said exactly the same of where he lives.
Now to negotiate the wonders of the japanese bathroom.

Nippon 2

Orderly queues, long long train, orderly scramble for seats, accreting through dry paddies, there was heavy frost in recesses where hoardings shielded the short tussocks from the ice laden wind.
Two plainish Janes, that should be Michico, transform themselves to my right and facing the darkish skin transforms into the blushed porcelains I marvelled at on the trudge to the station. Left and across the aisle the same is happening, though a fe wears older the process is non the less resolute. They worl in the zone of the private become public. Lefty does a great job with eyelash curlers. Up up they go, with deft twist of the instrument.
The train is a limited express, and slowly the aisles fill. I drag my pack in as close as I can to my seat. Michico right now looks like a gesisha, but left lady is obscured by the arm pit of a stern looking lady in a trench coat with military style boots. At last right packs up and finally applies eye wash drops direct into her pupils. Yuk!
Now we are all squashy squashy, well they are, standing close enou for me to smell them, all looking down on the tourist typing, and all I can think of is level 2 carruthers, well not really.
Time to rest and sleep like many of them. It’s 0830
0905 new michiko 3 in michiko right’s position is watched stroke by stroke by my new neighbour, everyone’s dad. He is amazed, skeptical, horrified all at once but never takes his eyes off of the performance. Standing over me now is a shortened version of a blues brother, only his right toes touch the floor as he stands, but it’s the double hand hold that fascinates. He has taken his laptop off of his shoulder and flung it onto the luggage rack over the other passengers but retains a grip on the luggage rack and the brief case, but with his other hand grips a hanging strap. Thus suspended, fruit bat style his three quarter jacket wings unfurl. His left coat flaps into the face of the peroxided girl opposite. She and I glance at each other me thinking “What the fuck you silly man” she ducking the flapping coat and coping. They all do cope. The last folk into the ever more crowded train back in arse first, it’s cool, “no rotating I’m the doorway please”.
I miss a shinkasen to Kobe when my stomach craves food and can’t get over the array of lunch boxes available for traveling. I’m told when I pull the string on the one I have bought I wait five minutes and it’s hot. Hot? What? Hot?
Two dumplings and another lunchbox too good not buy for the 3.5 hour journey are enough to make me late. Told platform 19 at 10:03 I see a train on the indicator leaving platform 17 at 10:03 and one at 10:10 on platform on platform 17. All the rest is in kanji.
I scuttle off to the food hall, what a sight. When I get to the indicators again at 10:07 to check the head shake tells me I have an hour to wait. The written directions had the wrong platform so I can spend more time browsing the food.
It’s quiet in cabin six after I have queued to get on the bullet train. I get comfy, we take off, and at the first stop I find I am sitting in someone’s reserved sear. All handled with aplomb I shift to another spare seat. A look of alarm from the lady opposite and forward as I scramble to get my coat on before station three as I realize these are all booked seats and that somewhere forward on the train are the unreservedly seats, if I can find one. Traveling at 250 kph can only be bettered by standing for the whole journey. It’s a great way to experience the tilting into the banked curves for which these trains are famous and of course the falling over acceleration when they get away from the stations.
Luckily there is a seat.
The scenery is Japan. Mt Fuji flashes by on the right but unphotographable without embarrassment to the lady at that window so no photo. The scenery changes but none so dramatically as this seven through the mountains. The unexpected.
It’s an impressive sight . He stands to attention. Like his inboard conductor counterpart who bows to the carriage on leaving, the station master at Kyoto conducts the leaving of the shinkasen with prompts to the tv cameras, clipped looks up and down the train before raising the red flag with a flourish and a sweep to the direction of travel. It’s the stopwatch in his hand which he has started on the train coming to a halt, and stopped when he waved the train off which impresses. No one else notices. He cares, I notice.

Nippon 3

It’s Obaku where I learn about patience. The instructions are clear enough. Off the shinkasen here get on this line there to there, change to that line in direction Sanda, get off at Obaku. The Sanda direction is fine but it is with increasing difficulty that I can see the station signs prominently displayed with their station past station future shown at respective ends of sign. The stations are smaller and rather than a sign every carriage length they are reduced to a single sign mid platform. Several stations pass and I can’t read the station to. Grabbing my gear I head into a more central carriage and it takes me three more stations to realize that there’s an electronic board above the door which shows progress, and three or for stations before Obaku.
A phone box in the taxi/bus station looms, I call, but seems like a recorded message. I ring again in fifteen minutes then in fifteen again. Same response. Decide to wait an hour, head to the department store and try out my divisions by seventy seven, aimlessly trying to work out Aussie dollar equivalent, for garments and stock which while looking Japanese is in fact all made in, all made in, all made in China. The hour later call is the same and it getting dark. What was plan B? Ah that’s right wait again for 30 minutes leave a message to say
“I’ll wait at station till seven then I am back off to Kobe city to find accommodation. This time I ring without the international and get through. Was that a three hour lesson in how to use the phone in Japan?

Nippon 4

It’s Obaku where I learn about patience. The instructions are clear enough. Off the shinkasen here get on this line there to there, change to that line in direction Sanda, get off at Obaku. The Sanda direction is fine but it is with increasing difficulty that I can see the station signs prominently displayed with their station past station future shown at respective ends of sign. The stations are smaller and rather than a sign every carriage length they are reduced to a single sign mid platform. Several stations pass and I can’t read the station to. Grabbing my gear I head into a more central carriage and it takes me three more stations to realize that there’s an electronic board above the door which shows progress, and three or for stations before Obaku.
A phone box in the taxi/bus station looms, I call, but seems like a recorded message. I ring again in fifteen minutes then in fifteen again. Same response. Decide to wait an hour, head to the department store and try out my divisions by seventy seven, aimlessly trying to work out Aussie dollar equivalent, for garments and stock which while looking Japanese is in fact all made in, all made in, all made in China. The hour later call is the same and it getting dark. What was plan B? Ah that’s right wait again for 30 minutes leave a message to say
“I’ll wait at station till seven then I am back off to Kobe city to find accommodation. This time I ring without the international and get through. Was that a three hour lesson in how to use the phone in Japan?